Karrie Steely

Karrie Steely

From the moment I arrived at Elsewhere it felt like home. The entire place is steeped in wonderful colors, textures, calm and potential. Not a bad place for my first artist residency. I was in search of a refuge where I could ride out the shortest days of the year with other creative spirits. Normally I experience major depression in the dark cold of December, and this year I wanted to explore my relationship with the fallow time and perhaps, just maybe, find some joy in it.

This was my project: I created mixed media miniatures with gouache, pen and cold wax. I explored the winter palettes wherever I went, taking pictures every day and breaking them down into color components, then incorporating those colors in my wintery works. Finding light and color in the pale whites, washed out browns, and vivid shadowy blues. I then took these miniatures and wandered through town, hiding them where people could find and then keep them. The intention was to share little sparks of light and happiness. I wanted to liberate them. It felt necessary after spending so much soul-crushing time and energy the past few years struggling to make money with my art.

During my time there I settled into the rhythms of the daily rituals. Cooking, bringing in firewood and building fires, creating in the studio, curling up on the well-worn couch with the well-worn cat and a well-worn book or journal. My fellow artists were absorbed in their projects but regularly came up for air and we spent time together playing games, eating and going on outings. (The Solstice night drumming circle celebration at Elderberry farm was the highlight.) Our lives flowed in and out from one another comfortably.

There are a multitude of things to do within a few blocks of Elsewhere. For a small town, Paonia has a surprising variety of world class options. The downtown area thrives with local products and food. There are a handful of outstanding small restaurants and pop-up bakeries. The annual Dark Night performance by nationally acclaimed local author Craig Childs and talented accompaniment was magical. I loved the weekly improv workshops that were accessed through the dark back alley entrance of the community radio station (no password needed). Paonia has a huge sense of community, and Elsewhere residents are very much welcomed as a part of it.

Elsewhere is a liminal space where inner and outer worlds can coexist in a state of ease and flow. This is a place where people can be artists in the truest sense. Not by creating great masterpieces (although it has surely happened here), but by being given permission to abandon themselves to their creative processes. Supported and encouraged by others who are doing their own exploring and by the greater community. For the first time in years, I spent an entire December without struggling with depression. Being in this magical space surrounded by a supportive, warm people helped me to befriend the darkness as I chased the light. 

Khiri Lee

Khiri Lee

This month has been a truly unique experience and one I will look back on fondly for the rest of my life. I have spent the month of November at the Elsewhere Artist Residency in Paonia, CO creating art, making new friends, and immersing myself in the mountain vibe. My cohort has been amazingly supportive and the art I've created while I've been here wouldn't have been possible without the restraints. 

For my project at Elsewhere I had a vision of finishing a draft of a guide for the Beauty Oracle I have been slowly chipping away at since its conception in 2020. From November 2021 to February of this year I crystallized the cards, so that part of the project is complete. I quickly realized my original goal of creating a complete draft was too ambitious for one month at a residency, so I pivoted to a more achievable goal. I want the guide for this oracle to be something different, an artistic expression as well as a useful tool. I intend to create a "Book of Mirrors" as the guide. A visual grimoire of sorts, with inspirational colors to sink into. I pivoted to creating the pages for five of the cards- Birthing Fierce Creativity, Nourishing your Radiant Temple, Appreciating the Ephemeral, What Wants to Happen Now?, and Know Your Truth. 

The goal of this Oracle is to inspire users to create, appreciate, and engage with Beauty (in whatever way you define beauty) with more intention and magick.

A huge shout out to my Cohort!- Christy, Chrissy, Alexi, and Becky! One of my biggest anxieties about spending a month away from home at an art residency was connecting with the other artists. I had nothing to worry about with these fabulous people. This crew of creatives have become fast friends and I will miss everyone terribly. Be sure to check them out and give them some love. They are all super talented! 

Christy E. O'Connor

Christy E. O’Connor

My time at Elsewhere Studios afforded me time, space and crucially, forced me to slow down and focus on my art practice in a more deliberate and thoughtful way. Having this time, with just the supplies I could pack for my flight to Paonia forced me to work on projects I had been thinking about for a long time, but had been procrastinating with.I was fortunate enough to stay in The Suite, a magical room that fills with beautiful natural lighting throughout the day, with a wonderful view of the property. I would find myself painting while looking out through the window at the work table, or sprawled out across the floor, with my paintings. By night I worked on poetry and fiber works while getting to know my roommates and snuggling with Tomatoes, the best studio cat you will ever meet. Of course it wasn't all work at Elsewhere, where I found time to explore this wonderful community, going to events at the arts center, going on picturesque walks, and indulging in all of the pop-up food experiences with my roommates. The best nights were spent watching movies and playing games, while cooking dinners with each other and just enjoying this experience together.

Rowena Alegría

Rowena Alegría

The only difficulty I faced at Elsewhere came in the leaving. A ten-day residency for parents allowed me time without my children, where I could extract the sorrow from my veins and put it on the page without worrying them. In writing scenes for the end of a novel – in the funky peace of the Commons, the Suite and the garden – I discovered a beginning that may solve a structural question that has long dogged me. If only I’d had a full month to see it through!

In my short visit, I began a glorious stretch of days by exploring town on an Elsewhere bicycle most mornings. I treated myself to iced horchata latte at Espresso Paeonia and cherry cider from Big B’s and fed myself on fresh veggies from one of the best farmers markets I have ever attended. Trust me, don’t miss Paonia Park on a Tuesday evening, where there are farm stands, entertainment and vendors including the North Fork Valley Creative Coalition serving a delicious dinner.

As you can see from my handful of photos, the skies in Paonia are breathtaking. Cherry Days was small town fun with a hippie twist. And Tomatoes is a sweet boy, even if you happen to be allergic.

Alicia Lisa Brown

My ten days in residence at Elsewhere studios were magical and inspiring!

It was my first time visiting Colorado and I was instantly captivated by the region's topography.

The town of Paonia with the gorgeous mountains reminded me of where I grew up as a child in Jamaica. I felt at home.

I loved that every day I stepped outside there was the inspiration for my work as an artist, the natural environment and the culture of the town will be a part of future paintings and I cant wait to create them.

One of the best aspects of Elsewhere residency is that I was able to bring my son with me. It was wonderful to be able to experience the special moments together as we explored the town of Paonia and the warm and friendly people.

I would like to extent special thank you to the Sustainable Arts Foundation for their generous contribution that made it possible for me to attend the residency with my son.

Brenda Lanphear

As I listened to an ecologically sensitive farmer and paper maker and photographer speak about her ideas on materiality and use, I understood light and shadows in new ways. As I picked up highway trash with her, I learned that people need to stop drinking and driving—and stop littering glass, plastics, and glass bottles; they don’t decompose and snowplows push them into the Earth—adopt a highway for a day, or even for a few hours, and you will know what I mean! The waste is infuriating. But as I joined my fellow art, environment, and sustainability adventure buddy collecting highway garbage, I learned. As I joined her on beautiful journeys through the Colorado mountains, I learned. I can’t wait for the world to see the incredible, delicate, protest pieces she created from trash! And her photography is purposeful and inspired. Her work will challenge our concept of “views,” and it was a pleasure working with her. 

As a first-time novelist, I was thankful to have the time and space to deepen the first section of my book. I have tremendous gratitude for Mitchell Oliver who introduced me to area farmers and foodies working to ensure equitable food security for Coloradans. I was fortunate enough to join a cherry glean and proudly plucked almost twelve pounds of cherries and labeled many bags of fruit that otherwise would have rotted on the trees. Check out the good work being done at Uproot, an organization that values farmers and thinks redistributing local food with nutritional value aids hunger-relief efforts statewide.  

Finally, my favorite memory— other than sharing a month of time & space with three incredible artists—was heading over to Hotchkiss to learn from master potter David Strong.  Mr. Strong patiently explained the types of pottery and listened to my novice ideas on the art I wanted my main character to create; she uses found natural objects (mud, sticks, petals, leaves, and more nature debris) in combination with original poetry to create a held story—a handmade pot. I learned everything I could, made my own pot, and had deep conversations on sustainability and art at The Creamery Arts Center. I will use everything I learned in my writing.

Elsewhere proved to be a unique time of growth and learning, and I’m so thankful that I had the opportunity to spend a month inspired by both the people and the place. 

p.s. Shout out to Tomatoes, the greatest art house cat of all time. I hope someone else sneaks him a bite of tuna fish—he deserves it!

Natalie Pivoney

I did some plein air painting, I visited nearby communities (Delta, Hotchkiss, Grand Junction), and I created some studio work, too. Since returning from Elsewhere I have been working on this bad boy in my home studio. It's almost done but man is it taking forever!

Elizabeth Weissberg

An Ode to Tomatoes

(The Cat @ Elsewhere)
O'! Tomatoes —
You make me happy
From my head —
to - mah - toes.
I wondered if you
were one of those cats
who is human,
and then you taught me
something no human had:
when rejected
from the laps of
we cat-allergic
residents
you walked away purring,
complete within yourself.

~

Elsewhere was my very first residency. I loved my time there! Recommendations for the hours outside art: Observing Tomatoes, Wiesbaden Hot Springs in Ouray, watching the light change from "P" mountain at dawn, projecting movies on the studio wall.

Shannon TL Kearns

Getting to go to Elsewhere in Paonia and a spend a month focusing on art was such a gift. I stayed in the Basement Studio which is like an artistic hobbit hole with curved doors and windows. Tomatoes the cat would come in and snuggle as I read books and then wander on to their own business as I got into the work of writing each day.

I appreciate the quiet to go deeply into the work, but I also appreciated the deadline of our final share out which made sure I wasn’t getting lost in the piece; I was focused on what I might want to offer a gift to the community. And what a gift the community was. It was lovely to meet other artists and artisans, to connect over shared passions and learn from one another. We shared stories around a bonfire one strangely warm night and then drinks at Linda’s (a town staple) another night.

As a transgender man I’m never sure where I’ll be welcome and how, but I was welcomed here. I’m so grateful to have share time and space.

Camilo Garzón

I had never been to Colorado before, but had always been eager to spend time here. 

Especially as I myself am a person born in another high-altitude place elsewhere: Bogotá, Colombia, which stands about a kilometer higher than Denver in the northern Andes.

This was my first physical artist residency. But I couldn’t have gotten here without the support and collaboration from my first actual artist residency, with the maestras Stephanie Garcés and Stephanie Smith from the Bay Area digital collective, on-off.site. To them, thank you for your support and for all your collaboration in our project, which went to hell and back!

After being able to process all that I did in Paonia, and Elsewhere, I know it was worth every minute. I spent half of the month I was fortunate enough to be an artist-in-residence organizing ten years worth of notes and the other half writing the mapped outline of those notes. 

This sounds easy. Far from it, in fact. 

I went from 292 pages of disorganized thoughts, ideas, and references to other texts, to creating a system for these all to be organized and mapped. 

And from a 60-page manuscript I had started working on in 2019 when I was still living with my partner on a flat in Lavapiés, Madrid, Spain… the day I left Elsewhere, I had written 222 pages and completed 5 out 8 sections of a first draft of a long thing, which, we can call “a novel.”

Today, March 10th, I have written 236 pages and have completed one more section of this first draft, with two more sections to go.

Being in Paonia, and being able to focus in this way, affected me deeply. I was able to create a ghost story which is part of a collection referenced and extended in the novel and which was based in a fictional lost city version of Paonia. This story, and a couple of others, was read in our artist’s showcase: “Looking for a Sign,” on Friday, February 25th.

This short story, in the form of a first-person vignette, was deeply referential in terms of the town, its people, Elsewhere itself, and my fellow residents and Elsewherians – Jae, Shannon, Ben, and Chelsea – and their projects. I hope to one day soon publish a finished manuscript of this novel I am working on. And to be able to feature this story as a funny, but creepy thing, that people will get to enjoy in full, then. 

But for now, I will leave you with two fragments from this ghost story:

“I remember Dwight told me once about one of those flowers living more than fifty years, and that legend tells that the flower was used to cure ailments. That cowboys used to live in the time when our funny green house was the building that housed the electrical center of town, and he also tells me about the dispersed steam engines being brought upon the friends we now have around here.”

“I wish these fellows had gone elsewhere rather than pursued these whimsical ideas. It’s like they were all looking for an alibi, for a meaning, like they were all looking for a sign of what lives beyond the place that produces the snow. All of them, seekers, I guess. This set of parapsychological, paranormal phenomena that I’ve been telling you about even brought tourists to our town of a thousand people.”

For now, all I can say is: ¡Gracias totales! Thank you for the month-long alibi!

Posdata: Miss you too, my feline fellow, Pomodoro aka Tomatoes